April 5th
2:00 p.m. to 3:30 p.m. - Development project: what to do?
Eugenio Puppo and Cédric Fanti
EUGENIO PUPPO
Is the founder of Heco Produções, and since 1994 he directed and edited the feature films “São Miguel do Gostoso” (2011, 16th Tudo Verdade), “Ozualdo Candeias e o Cinema” (2013, 18th É Tudo Verdade), “Sem Pena ” (2014), “O Bom Cinema” (2021) and “Confissões de um Cinema em Formação” (2023, 28º É Tudo Verdade). Director of the documentary series “History of Food in Brazil” (2017), “Ocupações” (2019) and “República dos Judges” (2022). Producer of the feature films “Banquete Coutinho” (2019) and “A Praga” (2021). Creator and curator of the Gostoso Film Festival.
CÉDRIC FANTI
Cédric Fanti is a film editor with a degree from the Higher Audiovisual Course at ECA-USP. Editor of the feature-length documentary O Bom Cinema (2021) and the TV documentary series História da Alimentação no Brasil (2017) and Ocupações (2018)). Co-director of the documentary short film A Última Praga de Mojica (2021) and the new TV series República dos Juízes. Since 2016, he has contributed to several audiovisual projects as part of the Heco Produções team.
16H00 às 17H30 - Audiovisual Production
Marcelo Machado
MARCELO MACHADO
Marcelo Machado is a director and screenwriter. He worked as director of the RTVC department at DPZ, worked as director of production and programming at MTV and directed the Música Brasileira series. He was managing partner of the production company Olhar Eletrônico. He made experimental videos and documentaries such as Marly Normal (1983) and On the Other Side of Your House (1985). In cinema, his most important work was the documentary Tropicália (2012).
Dia 6 de abril
14H00 às 15H30 - Post-production
André Finotti
ANDRÉ FINOTTI
André Finotti is an editor. He edited films selected at the Cannes and Venice festivals and awarded at Sundance, San Sebastian, It‘s All True, São Paulo International Exhibition, Rio Festival, and others. He won four editing awards. Finotti has worked with directors such as Anna Muylaert, Aurélio Michiles, Eliane Caffé, Fernando Grostein Andrade, Hector Babenco, Lina Chamie, Marcelo Machado, Marcos Jorge, Renato Barbieri, and Sergio Bianchi.
16H00 às 17H30 - Distribution and screening
Barbara Sturm
BARBARA STURM
Barbara Sturm has been working in the film sales market since 2007. She worked as a programmer at Cine Belas Artes, as director of acquisitions at Pandora Filmes and, in 2017, she became content director at Elo Company, where she is responsible for curating and negotiating projects and for the coordination of the ELAS label. She teaches the course The Film Distribution Market and is a member of the ASAS.BR.COM collective.
Service:
Admission is free and tickets are distributed on a first-come, first-served basis.
The program features accessibility resources in Brazilian Sign Language.
INSTITUTO MOREIRA SALLES
IMS Paulista - Av. Paulista, 2424
LECTURE SERIES: DOCUMENTARY WRITING
Não é só num filme de ficção que o roteiro é uma das ferramentas elementares. No documentário, ele é o mapa da mina: é no roteiro que se comunicam as intenções e se organizam as ideias. Fruto de uma parceria entre o É Tudo Verdade 2024 e o Sesc São Paulo, o ciclo de palestras A escrita do documentário reúne, no Centro de Pesquisa e Formação do Sesc, profissionais que transitam entre diversas áreas e têm ampla experiência de roteiro para discutir seus diferentes usos e caminhos, do documentário musical ao ativista.
Dia 11 de abril
17H30 às 18H30 - Image: it is so, if so it seems
Di Moretti
DI MORETTI
Screenwriter, professor, and script consultant, Moretti has written over twenty feature films such as O Velho (1997), Tropicália (2012), From the Dust of the Earth (2016), and Dominguinhos (2017).
19H00 às 20H00 - Why write? Writing as self-knowledge and preparation for the abyss
Muriel Alves
MURIEL ALVES
Coming from a background in journalism, Alves has worked as a screenwriter and assistant director on award-winning documentaries and nonfiction products such as the Netflix limited series From Dreams to Tragedy and the feature film Maiden‘s Tower. She is currently the head writer of Globoplay documentary series Arrastados.
Dia 12 de abril
17H30 às 18H30 - Documentary themes and script
Marta Nehring
MARTA NEHRING
Nehring is an audiovisual narrative and screenplay professor at institutions such as UNICAMP, Sesc, AIC, and FAAP. She has directed and written works that have been exhibited in commercial theaters and have been awarded prizes in festivals. In television, she has collaborated on Globo telenovelas.
19H00 às 20H00 - Case study: intervention documentary cinema
João Batista de Andrade
JOÃO BATISTA DE ANDRADE
Andrade is a Brazilian filmmaker with a substantial and award-winning output in fiction, documentary, and television film. His best-known films are Dora-
mundo (1978), O Homem Que Virou Suco (1981), The Next Victim (1983), and O Tronco (1998). As a documentary filmmaker, he has been acknowledged since his debut film, Liberdade de Imprensa (1967), where he first displayed his "intervention cinema" method, as it is known by critics.
Service:
Admission is free and tickets are distributed on a first-come, first-served basis.
The program features accessibility resources in Brazilian Sign Language.
CENTRO DE PESQUISA E FORMAÇÃO DO SESC
Rua Dr. Plínio Barreto, 285 – 4o andar - São Paulo – SP
centrodepesquisaeformacao.sescsp.org.br
SPCINE GATHERINGS TRAINING: É TUDO VERDADE
Dia 14 de abril - 17H30
Masterclass - Joel Pizzini
It‘s All True promotes, in partnership with Spcine, a master class with director Joel Pizzini — filmmaker, researcher, and author of inter nationally award-winning documentary essays – director of Elogio da Graça (Brazilian Cinema Grand Prize) and Mr. Sganzerla, winner of the15th edition of It‘s All True
.
Serviço
Admission is free and tickets are distributed on a first-come, first-served basis.
CENTRO CULTURAL SÃO PAULO - SALA LIMA BARRETO
Rua Vergueiro, 1000
https://centrocultural.sp.gov.br/